Behind the Scenes: How I Wrote My First Academic Book
This is the story of how I wrote my first book—Diners, Dudes & Diets: How Gender & Power Collide in Food Media & Culture—out November 2020 from UNC Press.
This is the story of how I wrote my first book—Diners, Dudes & Diets: How Gender & Power Collide in Food Media & Culture—out November 2020 from UNC Press.
Preorders really help authors, so I’d love your support to order my new book—and I’ll send you a custom designed postcard as thanks!
Consider these writing productivity tips from food historian Ken Albala, author or editor of 25 books to date.
We at the Graduate Journal of Food Studies are delighted to present our fourth issue (volume 3, no. 1), which features five original research articles that were first presented at the GAFS Future of Food Studies Conference in October 2015 at Harvard University.
In case you haven’t heard, the second issue of the Graduate Journal of Food Studies came out last week online and will soon make its way to the mailboxes of subscribing members! I was thrilled to have my research on trophy kitchens included in the first issue and the second issue is just as thoughtful and beautifully designed, featuring four original research articles, multiple reviews on some of the most recent food studies publications, and stellar photography. So with this news, what should you do next? Read the Graduate Journal of Food Studies winter 2015 issue (2.1). Join the Graduate Association for Food Studies, an organization that connects graduate students with an interest in food studies, promotes their work, and provides myriad resources for publishing, networking, presenting at conferences, and more. It’ll be the best $20 you ever spend. Submit a proposal for the first edition of the biennial Graduate Food Studies Conference to be held in Boston, 23-25 October 2015. The submission deadline is 31 May 2015. Submit an article, book review, or photography/art for consideration for the Journal’s third edition. The …
I had the opportunity to attend the Essay in Public conference here at Brown University earlier this week at which speakers and participants discussed a full host of topics related to how we can best bring longform writing and dense content (such as the bulk of work created by academics) to the public. [Update: I summarized all of my live tweeting here. And yes, Storify really is as neat as they say.] At one point in the day, we discussed and re-articulated the very meaning of “the public,” as not only an audience with whom many of us as public intellectuals hope to engage, but also a grouping of individuals that contains the fantasy of accessibility and embodies the breaking down of hierarchies, limits, and borders. Part of my own aspiration with this blog is to connect with just such a public of readers, near and far, through my work, which I strive to communicate in jargon-free and hopefully-at-least-minorly-entertaining prose. A truly satiating day, this conference explored far more than audience, connectivity, and content. In this particular post, however, I’m chewing on the idea that …